简介：“전 연하는 싫어요”매번 사업을 실패하고 이혼까지 당한 용철은 딸과도 인연을 끊은 채 힘든 삶을 살아가고어렵게 시작한 사업이 또 망하자 친구 희영과 함께 지내고 있는 딸 민정을 찾아가게 된다.용철은 그곳에서 희영을 보며 애틋한 감정을 느끼게 되고 희영 또한 용철에게 애정을 느끼며 정사를 벌이게 되고 그 사실을 딸 민정의 남자친구 동민이 알게 되면서 음모를 꾸미는데...
简介：A cloaked figure slips into an exclusive psychiatric clinic and murders one of the female patients. Meanwhile, various sexuals liaisons are revealed. The mystery killer continues with his massacre: he beheads a nurse with a scythe, pushes a chauffeur into a spiked “Iron Maiden”, strangles an older female patient, kills a nymphomaniac with an axe, and shoots a lesbian through the neck with a crossbow. Doctor Clay and the police set a trap for the killer using one of the attractive female patients as bait. However, they are not prepared for the onslaugth that follows…
简介：This long-lost masterpiece of hardcore gay erotic cinema centers on a handsome young stud who rides his motorcycle through myriad sexual encounters, from a soccer game’s locker room to a phantasmagoric and deeply melancholy orgy. A labyrinth of all-male fantasies whose outstanding beauties always end up fading away while leaving their sensual protagonist dealing with his own loneliness, EQUATION was directed with supreme grace by the mysterious Dietrich de Velsa (aka Francis Savel/Frantz Salieri). A former painter, de Velsa was also the owner and artistic director of La Grande Eugène, one of the first drag cabarets in Paris. Years later, he collaborated with Joseph Losey on MR. KLEIN (1976) and DON GIOVANNI (1979). His one and only film, EQUATION TO AN UNKNOWN stands as one of the most extraordinary erotic films of all time. “The most melancholic porn film I’ve ever seen. It’s very sad, and aesthetically beautiful. Just a young man wandering through several depictions of love and choreographies of love-making; it’s like a ceremony, a ceremony of fantasies, especially the last sequence where the main character recalls all his previous fantasies, which come one by one around his bed and make love to him. I think it’s one of the most beautiful film sequences of French cinema.” –Yann Gonzalez